Well after all the congratulations in sending Tesco packing from Hope Street and all those supporters of the face book campaign against the proposals to Tescopolise Hope Street you have to ask the question,
'Where, were they all when the world heritage site was being destroyed with carbuncle on carbuncle on the Pier Head'.
Whats more, where were they all while someone dumped these unholy anachronisms on the pavement just down the same road, in between the two cathedrals on Hope Street. I first came across them when I nearly bumped into one whilst walking past the carriage-works, nervously on the way to the not so glorious bail hostel, outside which, I had parked my car. You have to say they are crass satues, and why do the heads stick out like lolly-pops. Is Liverpool turning into The European Capital of Bad Sculpture.
Just what do-gooder person with a white stick commissioned these bronze nightmares by Broadbent who studied with Arthur Dooley.....who also produced some rubbish but in the mix of his legacy is some real emotive sculpture. It did not rub off to the apprentice. If I recall they may have been sponsered by the Echo who someone once said "The only culture in that paper was the free Curry Pasty from Greggs they were giving away the other week". Cant remember who said that! but anyhow.
Oh and the so-called culture correspondent Catherine Jones, was a driving force in pushing these carbuncles into Hope Street. Catherine you should be ashamed. But what do you expect with Alastair Machray as editor of the Oldham Echo. http://liverpoolpreservationtrust.blogspot.com/2009/08/now-that-culture-for-yeh-08-all-pasties.html
I have only ever sold one Broadbent piece and this is an example of why. He lacks depth of emotion in his work, in my opinion, these are prime examples of ill thought out casting. Did a planning application go in for these godawful totem poles on the pavement right next to Hahnermann house that Berni Turner says she had listed. (Three Cheers for, over, over, exaggeration by Turner). So why was there no campaign over these eyesores. You know, its one step forward and one back in Liverpool and the problem lies here with uneducated Quangi who propose sculpture as public art in this city. That are really lacking in the requisite taste and culture to sanction pavement art. The results show us up as a uncultured city post 2008. Those do-gooders need to stop and appoint people who know what they are talking about.
I recently showed a, really, cultured client from Chicago around Hope Street who just burst out laughing at these pavement cloggers. "What the"...he said I had no explanation.
So on the basis of all these new armchair conservationists, empowered by facebook, isn't it time to reclaim the streets......from the local residents of Hope Street and the ill informed press, let loose in what is now classed as our cultural quarter. Those decision makers, with with bad taste.
Yes it was right to send Tesco packing but on the subject of Liverpool being the European Capital of Bad Sculpture............Every Little Hurts.
And you have to ask......Just what has Morecambe and Wise got to do with Liverpool anyhow.
Salford Star - SALFORD CENTRAL TRAIN STATION EXHIBITION SHOWS GROWING INEQUALITY IN CITY - Star date: 26th July 2017 CHAPEL STREET WEALTH DIVIDE HIGHLIGHTED IN MIND THE GAP PHOTOS‘This is an exhibition by people from Salford who see inequality ev...